In 1943, Morse began to record solo. She reached #1 in the R&B chart with "Shoo-Shoo Baby" in December for two weeks. In the same year she performed "Cow Cow Boogie" in the film Reveille with Beverly and starred in Universal's South of Dixie and The Ghost Catchers with Olsen and Johnson and How Do You Dooo? with radio's Mad Russian, Bert Gordon. She sang in a wide variety of styles, and she had hits on both the U.S. pop and rhythm and blues charts. However, she never received the popularity of a major star because her versatility prevented her from being placed into any one category of music.
In 1946, "House of Blue Lights" by Freddie Slack and Morse, (written by Slack and Raye) saw them perform what was one of many of Raye's songs picked up by black R&B artists. Her biggest solo success was "Blacksmith Blues" in 1952, which sold over one million copies, and was awarded a gold disc. The same year her version of "Down the Road a Piece" appeared on Capitol with Slack again on piano accompaniment. Morse also recorded a version of "Oakie Boogie" for Capitol which reached #23 in 1952. Her version was one of the first songs arranged by Nelson Riddle.
Morse ceased recording in 1957, but continued performing until the early 1990s at such clubs as Michael's Pub in New York, Ye Little Club in Beverly Hills, the Hollywood Roosevelt Hotel's Cinegrill and the Vine St. Bar and Grill. She appeared regularly at Disneyland for several years with the Ray McKinley Orchestra, and did a successful tour of Australia shortly before her final illness.
Her music career was profiled in Nick Tosches' 1984 book, The Unsung Heroes of Rock 'N' Roll: The Birth of Rock in the Wild Years Before Elvis. She has a star on the Hollywood Walk of Fame at 1724 Vine Street. Her entire recorded body of work was issued in a deluxe box set by Bear Family Records. As Morse's musical style blended jazz, blues, and country, she has sometimes been called the first rock 'n' roll singer. A good example is her 1942 recording of the song "Get On Board, Little Chillun", which, with strong gospel, blues, boogie, and jive sounds as a genuine precursor to the later rockabilly/ rock 'n roll songs. Her records sold well to both Caucasian and African-American audiences. As she was not well known at the time of her first solo hits, many people assumed she was African-American because of her 'hip' vocal style and choice of material.
Ella Mae Morse passed away in Bullhead City Arizona on October 16th, 1999 at 8:58 PM. The former Capital Records Gold Record recording star, and "Dallas Dark Horse", died from complications due to cancer. She is survived by her husband of 40 years, Jack Bradford, her six children, Laura Bradford of Bullhead City, AZ., Dan Bradford of Lomita, CA., Kenny Kendall, Marcia Mar of Sacramento, Anne Prewitt of Bellevue, WA, Dick Gerber of Prescott Arizona, plus several grandchildren and great grandchildren. Sadly, Ella Mae and her sister Flo were estranged and never spoke to one another since the 1960's. It's always sad to hear about family estrangment, but one good thing is Ella Mae Morse was never estranged from her fans. Generations of music lovers are discovering and rediscovering her, and I am happy I am one of them..